Pilkington Jackson's Bruce statue at Bannockburn: did Pilkington know that Bruce was a thug?
have
any of you not yet read Andy Wightman's The Poor Had No Lawyers:
Who owns Scotland and how they got it (2013)?
If not, you really should, attentively, in its entirety. By the term
'Citizens of Scotland' I mean all those currently resident in
Scotland, irrespective of whether or not these people have got
permanent resident status, or whether these people are asylum-seekers
or people born in Scotland, whether they're living off benefits or
going out to a paid-job everyday. If you argue in detail for
intelligent, low-cost policy like Wightman does, then you don't waste
your time supporting or enforcing stupid, high-cost policy, like
over-policing borders – apparently in Salmond's future models we'll
still be paying for an over-policed UK border – or persecuting
minorities who can't be squeezed into the template of Mrs & Mr
Normal. Wightman's is the first book I've ever read on public policy
that's electrified me. He campaigns for diversifying Scottish
land-ownership – our current pattern is the most feudal, most
concentrated in western Europe – and taxing speculation on urban &
rural land, so that people who want to get up & do something with
their hands & minds get rewarded. Rather than rewarding those who
happen to have the hundreds of thousands spare to invest in chunks of
land, do nothing with it and enjoy returns of up to 200% – value
added by the economic activity of normal workers, i.e. us – for
that doing of nothing.
The
book's so good that I'd want to quote huge sections of it; and any
summary of the key arguments won't do anything approaching justice to
both the scale of this work, & it's patient attention to a vast
range of often arcane sources, without which these arguments could
not have been made. He takes the reader back to the first crime
scenes, aided by workers in an embryonic legal profession, during
which King David I (1124-1153) replaced the older Celtic & Nordic
systems of land tenure with a feudal system of land control. After
that there followed a series of land grabs, where militarily stronger
immigrants speaking & writing in a different language – in this
case the new Anglo-Norman class, speaking an old version of French, &
writing their documents in Latin – came & seized most of
Scotland by force. The lawyers' work was to give post-hoc
legitimisation to these acts of violence.
Wightman
is good at busting those very foundation myths of Scottish history,
which have blinded myself & so many other Scots for so long,
blanketing the past & present in an apathy-inducing tartan-tinted
fog. Robert the Bruce was actually, 'A murdering medieval war-lord':
we are informed.
The
Bruce guff has affected my family perhaps more than most: my grandpa
was something like a third cousin with Pilkington Jackson, the
sculptor who produced the Bruce-on-horseback statue outside the
Visitor's Centre at Bannockburn. My dad remembers getting taken once
to visit the artist at his upper-floor studio-flat in Polwarth,
Edinburgh: a small window on bohemia in a mostly un-artistic
childhood. While my dad's healthily sceptical of most things, there
has been family pride in this character; would there have been, if a
relation had produced an heroic statue of Joseph Kony?
I
challenge our leading Scottish poets to write & publish a critical
Bruce poem well in advance of the hoo-ha there'll no doubt be to mark
the 700th anniversary of Bannockburn in June next year. Jackie Kay or
Tom Leonard, Liz Lochhead or Robert Crawford, are you listening? This
could follow in the vein of Iain Crichton Smith's The Ghost in the Snow
(first pub. 1996), a poetic counter-blast to two centuries of injurious
sentimentality concerning Charles Edward Stuart's role in Scottish
history. The 'silly prince' is charged with responsibility for the
deaths of thousands of his soldiers in an unwinnable military campaign,
motivated by the prince's own romantic narcissism. And for the British
government's scorched-earth reprisals that followed:
' The silly
Prince /hits the wall of fact, the steel fence //of Culloden flashing
fire, and discipline /clicking clearly its rehearsed routine. //Drunken
sot, I hope you endlessly suffer //for the sufferings your boyish game
caused /for there is cause and cause and cause //as headless men cry, as
the Duke burns /the Highlands into poor threadbare ruins //while you,
paunchy one, drink port, /beached, becalmed, rusted. May fierce thought
//of baulked ambition thorn you, as you turn /easily away from red
Culloden //towards the misty islands.' i
Wightman's
book drags us out of the bog of a misapprehended past to 'hit the wall
of fact' about how Scotland is now, with scores of policy
recommendations for using these facts to build a fairer daily life for
ourselves, our children and our grand-children. Intriguingly, he wants
more economic justice but he doesn't want higher income tax, arguing
instead that we should shift the tax burden away from income-tax payers,
and away from business & retail, towards land value taxation (LVT.)
As Wightman makes clear, LVT taxes the increase in value of a
particular piece of land, including the small patches of land on which
owner-occupiers live, resulting from the economic activity of the
community in which the land is located, and not resulting from the
increase in value which results from any investment in improvements by
owner-occupiers or by land-lords:
'The philosophy behind land
value taxation (LVT) is based on the idea that land, in its unimproved
state, is a gift of nature, and, unlike capital and labour, has no cost
of production. Furthermore, since land is fixed in supply – again,
unlike capital and labour – its value is purely a scarcity value
reflecting the competing needs of work, leisure and housing. Thus the
value of land, excluding the value of investment in improvements, owes
nothing to the owner or to individual effort and everything to the
community at large and the value of land properly belongs to the
community. This should be self-evident from cases such as the Jubilee
Line Extension [where property values increased by 300% along the route
during the 1990s. Wightman also predicts a significant rise in property
values – although not 300%! – following the decision to construct the
Waverly Line between Edinburgh and the Central Borders.] ii
There
is not a single trace of careerism about where Wightman's coming from,
which makes it all the more appealing. This is a guy who, at least from
the end of the 90s on, could have gone for a high level career inside
the Scottish administration, or the SNP, or Scottish Labour. Yes, he'll
badger leaders in the SNP leadership, and prepare reports for the
Scottish Green Party MSPs on land-reform, but that's because he's
passionate about his issues, and not through a desire to land a position
of safe salary and status.
If we could start to channel a
fraction of this intelligence and progressive thinking into the
independence debate, it could recapture the imagination of the 4.5
millions in the middle of Scottish society, turned-off by the current
pettier-than-thou, party-political point scoring. These are the millions
who continue to have the rewards for their innovation & hard-work
appropriated by a tiny, reactionary class of owners of vast swathes of
Scotland. We could get together and write a new constitution for an
independent Scotland, following the model of several fairer European
nations, and enshrining many of Wightman's shockingly reasonable
proposals in law. A written constitution should act as a check on future
Scottish governments, who may well continue to pander to the needs of a
rich, idle handful, while failing to pass acts to emancipate the
intelligent and industrious millions.
iFrom
A Ghost in the Wind, published in The Ice Horses: The Second Shore
Poets Anthology (ed. Stewart Conn & Ian McDonough), Scottish
Cultural Press, 1996.
iiSee Wightman, A. The Poor Had No Lawyers,
2013. For quote, see p. 379. For more details regarding the Waverly
Line, see p. 388.
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D'Orville Pillkington-Jackson was as you say a distant cousin of Sir Henry's. He lived in a spacious semi-detached villa in Polworth with a large studio in the garden. We visited when "THe Bruce" was being sculpted in plaster. He had a plaster cast of Bruce's skull which showed his front upper teeth missing (injury or disease)so depicted him as having a flat upper lip and protruding jaw. The plaster had to be kept wet or it would dry and crack. It was larger than life size so up close the head was big and impressinve. He was comfortably off and no bohemian.
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